Bibliography and Research & Learning Centres

Bibliography

Journals:

International Journal of Human Factors Modelling and Simulation (IJHFMS) (http://www.inderscience.com/browse/index.php?journalID=124)
Gesture (http://www.benjamins.com/cgi-bin/t_seriesview.cgi?series=Gest)
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Books and articles (gemeral):

Austin, Gilbert. Chironomia, or a Treatise on Rhetorical Delivery. London: 1806. Ed. Mary Margaret Robb and Lester Thonssen. Carbondale, IL: Southern Illinois UP, 1966. (See http://en.wikipedia.org/wiki/Gilbert_Austin)
Blair, Preston. Cartoon Animation. Laguna Hills, CA: Walter Foster Publishing, 1980.
Blair, Preston. Film Cartoons. Laguna Hills, CA: Walter Foster Publishing, 1980.
Bulwer, John (1644) Chirologia: or the Naturall Language of the Hand. Chironomia or the Art of Manual Rhetoric (London)
Cicero, De Oratore. Vide
Codell, Julie F. Expression over Beauty: Facial Expression, Body Language, and Circumstantiality in the Paintings of the Pre-Raphaelite Brotherhood Victorian Studies, Vol. 29, No. 2 (Winter, 1986), pp. 255-290
Cressolius, Ludovicius (1620), Vacationes Autumales sive de perfecta Oratoris, Actione, et Pronuntiatione. Vide
De Jorio, Andrea (1832), La Mimica degli Antichi Investigat nel Gestire Napoletano (Gesture in Naples and Gesture in Classical Antiquity. Eng. translation by Adam Kendon, 2002)
Eckman, Paul, Facial Action Coding System
Feigenson, Neal, Meghan A. Dunn, New Visual Technologies in Court: Directions for Research, Law and Human Behavior, Vol. 27, No. 1, Psychology in Civil Litigation (Feb., 2003), pp. 109-126
Goldin-Meadow, Susan (2003)
Hiltzik, M.A. and Pham, A. (nd) â€˜Synthetic Actors Guildâ€™. URL (consulted November, 2009): http://www.simplytaty.com/broadenpages/synthetic.htm Hooks, Ed, Acting for Animators: A Complete Guide to Performance Animation, Heinemann, Portsmouth, 2003 (2nd edition).
Holman, L.B. (1995) Puppet Animation in the Cinema: History and Technique. London: Tantivy Press.
Kendon, Adam List of publications
Lee, Stan and Buscema, John (1986, 1st edn 1978), How to Draw Comics the Marvel Way (Titan Books, London).
Mateas, Michael (2003). "Expressive AI: Games and Artificial Intelligence". Proceedings of Level Up: Digital Games Research Conference, Utrecht, Netherlands. Online at http://www.lcc.gatech.edu/~mateas/publications/MateasDIGRA2003.pdf.
Mohrmann, G. P., "The Real Chironomia." Southern Speech Journal 34 (Fall 1968): 17-27.
McCloud, Scott (1993). Understanding Comics the Invisible Art. (Northampton MA, USA).
McNeill, David
Muybridge, Eadweard. Muybridge's Complete Human and Animal Locomotion. Mineola, NY: Dover Publications, Inc., 1979.
Osipa, Jason (2007), Stop Staring: Facial Modeling and Animation Done Right (Second edition, Wiley, Indianapolis, 2007, 1st end. 2003) Vide
Quintilian, Institutio Oratoria. Vide
Ratner, Peter (200) 3-D Human Modeling and Animation (Wiley) 2nd Edition
Robey, Judith Modelling the Reading Act: Gogol's Mute Scene and Its Intertexts Slavic Review, Vol. 56, No. 2 (Summer, 1997), pp. 233-250
Schmid, Bernd (2000), The Modelling of Human Behaviour (Erlangen: SCS Publications) Vide
Sheridan, Thomas (1762), Lectures on Elocution
Spoel, Philippa M. "The Science of Bodily Rhetoric in Gilbert Austinâ€™s Chironomia." Rhetoric Society Quarterly 28 (Fall 1998): 5-27
Steed, Paul (2005), Modeling a character in 3ds max -- second edition(Wordware Publishing, Plano Texas) Vide
Thomas, Frank, and Ollie Johnston. The Illusion of Life: Disney Animation. New York: Disney Editions, 1981.
Walker, John (1781), Elements of Elocution
White, Tony (1986), The Animator's Workbook (Oxford, Phaidon Press). I own a copy.
Review: [untitled]M. Edwin O'Neill, Reviewed work(s): A Textbook on Facial Reconstruction by Gladys P. Curry Journal of Criminal Law and Criminology (1931-1951), Vol. 40, No. 2 (Jul. - Aug., 1949), pp. 256-256
Not-Art Digital Images: An Artist's PerspectiveNot-Art Digital Images: An Artist's PerspectivePeter VociLeonardo. Supplemental Issue, Vol. 3, Digital Image, Digital Cinema: SIGGRAPH '90 Art Show Catalog (1990), pp. 39-42
Jeffrey M. Hurwit, The Kritios Boy: Discovery, Reconstruction, and Date, American Journal of Archaeology, Vol. 93, No. 1 (Jan., 1989), pp. 41-80
The Making of a Film with Synthetic Actors. Magnenat-ThalmannLeonardo. Supplemental Issue, Vol. 1, Electronic Art (1988), pp. 55-62
President Address. The Reconstruction of Fossil Human Skulls.Arthur KeithThe Journal of the Royal Anthropological Institute of Great Britain and Ireland, Vol. 44, (Jan. - Jun., 1914), pp. 12-31
Ancient Wood Figures from Sierra Leone: Implications for Historical ReconstructionFrederick LampAfrican Arts, Vol. 23, No. 2 (Apr., 1990), pp. 48-103
The Trope of a New Negro and the Reconstruction of the Image of the BlackHenry Louis Gates, Jr.Representations, No. 24, Special Issue: America Reconstructed, 1840-1940 (Autumn, 1988), pp. 129-155
Life Histories Recorded in SkeletonsWilton Marion KrogmanAmerican Anthropologist, New Series, Vol. 37, No. 1, Part 1 (Jan. - Mar., 1935), pp. 92-103
Evaluating a New Computer-Based System for Face RecallDonald Christie, Graham Davies, John Shepherd, Hadyn EllisLaw and Human Behavior, Vol. 5, No. 2/3, British Research (1981), pp. 209-218
Warning: Even Memory for Faces May Be ContagiousElizabeth F. Loftus, Edith GreeneLaw and Human Behavior, Vol. 4, No. 4, On Eyewitness Behavior (1980), pp. 323-334
The Object and the Other in Holographic Research: Approaching Passivity and Responsibility of Human ActorsIvan TchalakovScience, Technology, & Human Values, Vol. 29, No. 1 (Winter, 2004), pp. 64-87
Thalmann Nadia Magnenat Et.al, Synthetic Actors In Computer-generated 3d Films (computer Science Workbench) ISBN: 354052214X ISBN-13: 9783540522140, 978-3540522140 Springer-verlag, 1990
Kleiser, J. (1989). A fast, efficient, accurate way to represnt the human face. State of the Art in Facial Animation. ACM, SIGGRAPH `89 Tutorials, 22, 37-40.

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Anatomy:

Bridgman, George. Constructive Anatomy. New York: Dover Publications, Inc., 1920.
Goldstein, Nathan. Figure Drawing. Englewood Cliffs, NJ: Prentice Hall, Inc., 1976.
Peck, Stephen. Atlas of Human Anatomy for the Artist. Oxford, NY: Oxford University Press, 1951.
Reed, Walt. The Figure. Cincinnati, OH: North Light Books, 1976.
Rubins, David. The Human Figure: An Anatomy for Artists. New York: Penguin Books, 1953.
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Motion Capture:

Menache, Alberto. Understanding Motion Capture. London: Academic Press, 2000. Midori Kitagawa (Author), Brian Windsor (Author), MoCap for Artists: Workflow and Techniques for Motion Capture. Oxford: Focal Press, 2008.
Rosenhahn, Bodo, Reinhard Klette, Dimitris Metaxas (eds), Human Motion: Understanding, Modelling, Capture, and Animation. Springer, 2007.
Matt Liverman (Author), The Animator's Motion Capture Guide: Organizing, Managing, Editing. Charles River Media, 2004.
Nadia Magnenat-Thalmann (Editor), Daniel Thalmann (Editor), Handbook of Virtual Humans. Wiley, 2004.
Peter M. Plantec (Author), Ray Kurzwell (Author), Ray Kurzweil, Virtual Humans: A Build-It-Yourself Kit, Complete with Software and Step-by-Step Instructions. Amacom, 2003.
Rick Parent (Author), Computer Animation Complete: All-in-One: Learn Motion Capture, Characteristic, Point-Based, and Maya Winning Techniques. Morgan Kaufmann, 2009
JONG SZE JOON, HUMAN MOTION BASED ON ACTOR PHYSIQUE USING MOTION CAPTURE. VDM Verlag, 2008.
Ahmed Elgammal (Editor), Bodo Rosenhahn (Editor), Reinhard Klette (Editor)Human Motion - Understanding, Modeling, Capture and Animation: Second Workshop, HumanMotion 2007, Rio de Janeiro, Brazil, October 20, 2007, Proceedings ... Vision, Pattern Recognition, and Graphics) Springer; 1 edition (December 10, 2007)
Nadia Magnenat-Thalmann (Editor), Daniel Thalmann (Editor)Modelling and Motion Capture Techniques for Virtual Environments: International Workshop, CAPTECH'98, Geneva, Switzerland, November 26-27, 1998, Proceedings ... Notes in Artificial Intelligence) (v. 1537) Springer; 1 edition (December 4, 1998 BADLER, N. I. â€" PHILLIPS, C. B. â€" LYNN WEBBER, B. Simulating Humans: Computer Graphics Animation and Control. Oxford University Press. 1997. MOON RYUL JUNG (Editor), et al. Motion Capture. A K Peters Ltd. 2002. GLEICHER, M. Animation from Observation: Motion Capture and Motion Editing. Computer Graphics 1999. http://www.motion-capture-system.com/resources/reading.html#Articles
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Rigging:

Body Language: Advanced 3D Character Rigging

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Stuff to read:

Kurzweil, Ray, The Singularity Is Near: When Humans Transcend Biology. Penguin, 2006.
Richard Rickitt (Author), Ray Harryhausen (Foreword), Special Effects: The History and Technique. Billboard books, 2007.
Jody Duncan (Author), James Cameron (Foreword), The Winston Effect: The Art & History of Stan Winston Studio. Titan Books, 2006.
Richard Rickitt (Author). Designing Movie Creatures and Characters: Behind the scenes with the movie masters. Focal Press, 2006.
Ed Hooks (Author), Acting for Animators, Revised Edition: A Complete Guide to Performance Animation. Heinemann Drama; Revised edition, 2003
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Centres of Research & Active Learning

Modelling & Animation:

The Center for Human Modeling and Simulation at the University of Pennsylvania (http://cg.cis.upenn.edu/hms/)
"Penn students learn multimedia tools and technology by creating tutorials and then teach them at the high school."
Pixar (http://www.pixar.com/companyinfo/jobs/grads.html)
Technical Director Residency

Gesture:

ISGS : International Society for Gesture Studies (http://gossip.ucr.edu/mandana/isgs/index.php)
"Founded in 2002, the International Society for Gesture Studies (ISGS) is the only international scholarly association devoted to the study of human gesture."
McNeill Lab Center for Gesture and Speech Research (http://mcneilllab.uchicago.edu/)
Goldin-Meadow Laboratory (http://goldin-meadow-lab.uchicago.edu/)
"the lab's main focus - the study of non-verbal communication, specifically gestures"
Nijmegen Gesture Centre (NGC) (http://www.mpi.nl/world/projects/Gesture.html)
"Gesture research in Nijmegen started in 1993 as part of the Gesture project at the Max Planck Institute for Psycholinguistics, a project co-ordinated by S. Kita."

Other sites and sources:

Handspeak http://www.handspeak.com/
"HandspeakÂ® is a sign-language website, consisting of American Sign Language (ASL) online dictionary, ASL grammar, sign language art + literature, manual alphabet (fingerspelling) + numeral, and other parts: Baby Talk, International Sign Language, gesture, ASL storytelling and art."

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